Pete Cornish line selector (main guitars/slides) – main pedalboard, controlling the pedals and rack units, with options for either single effect switching or multiple effect patches.ĭigitech WH-1 Whammy (Brighton Septemonly) Note also that the MXR delay rack system is removed, possibly replaced by the Boonar. All three Boss GE7s are now replaced by Source Audio EQs and a Dawner Prince Boonar Binson type echo is added. A Dawner Prince Boonar Binson type echo is added, while the MXR delay rack system is removed, possibly replaced by the Boonar.ĭavid picture at London’s Royal Albert Hall in September 2016. – September 2016 Royal Albert Hall, all three Boss GE7s are now replaced by Source Audio programable EQ units. Two of the Boss GE-7s are now replaced by Source Audio programable EQs and a third can be seen lying spare on the rack. – July 2016 Pompeii, the Origin Effects Slide Rig compressor is replaced by a Cali ’76 Compact. One Source Audio Programable EQ has replaced one Boss GE7. – December 2015 South America, a Sovtek “Civil War” Big Muff Pi is added.
– September 2015 Brighton opening night, the Digitech Whammy WH-1 is not working and is later replaced by a Whammy 5. During early rehearsals in 2015, a number of different pedals can be seen being tested but not used for the tour.
BK BUTLER TUBE DRIVER 3 KNOB FREE
Sovtek Civil War Big Muff (added December 2015 for South America)ģ Boss GE-7 Equalizers (probably assigned to each Tube Driver)ģ Source Audio Programmable EQ (Royal Albert Hall 2016, replacing the Boss GE-7s)Ģ Free The Tone Flight Time Digital Delaysĭawner Prince Boonar (Royal Albert Hall 2016) Changes and updates of the effect rackĪs on previous tours, David’s effects setup went through several changes along the tour. Origin Effects Cali 76 Compact Compressor (added summer 2016, replacing the Deluxe) Origin Effects Slide Rig Compact Deluxe Compressor Lehle parallel L (mixer for Electric Mistress?)Įlectro Harmonix 1976/77 Electric Mistress See the Rattle That Lock 2015 gear guide for a detailed rundown of David’s recording setup.
The biggest surprises, gearwise, must be the return of the Electric Mistress flanger and the ’55 “Workmate” Fender Esquire. David’s new stage setup is a surprising departure from the Pete Cornish pedalboards that’s been his main effects arsenal for the past couple of decades, and a return to the more elaborate systems similar to what we saw in the 80s and 90s.ĭavid Gilmour is no doubt experimenting with both new and old sounds and the setlist also require versatility and a wide range of different tones.
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